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WHERE WE WILL

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STREET VIEWS

*We will be closed September 30 - October 4

Children of Clay was featured in Color Magazine's NEXT/BEST Issue! It's no longer summer, so pick up Children of Clay and keep those lazy daze going.

Jon Bocksel - Children of Clay $20.00

Participants include: 9 to 09 Stone Canyon Nocturne, 20x20, 23 Sticks: From Walden Pond to Hackney Baths, A3, Additions and Place, An Endless Supply, Attention Please: A Manifesto Club Album, Arty and Garageland, Bart Wells Institute, Bedford Press, The Book of the Film, Brighten the Corners, Butch Top Fuck Anywhere, Chroma, Clod, Cluster Art Magazine, The Coelacanth Journal, Control, Copie de Voyage, Cowards/Carnivores, Dik Fagazine, Drawing on Sand, Donald Urquhart, Duke Press, Eastside Projects, The Eel, Eye Lust Magazine, Errorzine, IM Projects, Impulsive Random, In Fluence Magazine, The Institute of Social Hypocrisy, Institution of Rot Editions, Famicon Express, Fast Women & Slow Horses, Form Content - The Mock and Other Superstitions, Fun, Fur, Furniture Music, Gandt, Gym Class Magazine, Havva Bagci , Junior Asprin Records, Knights Move, Lubok, Making Do, Marbled Dreams, Matt Magazine, Monika, mono.kultur, Monster Emporium Press , Morel Books, Morphica, Motto, Museum Paper, Mute Magazine, Nero, Occasional Papers, Orient Press, Oxid, Pablo, Paper for Emerging Architectural Research, Pen Pusher Magazine, Pensive Limpet, Performance, Pink Mince, Pigiarniq, Poppy Books , PowWow, Preston is My Paris, Provence, Provincial Forge, Proximity, Readymade, Salon Fur Kunstbuch, Sara MacKillop, Soft, Spare Ribs, Spring Drum Press, Starship Magazine, Succulent L'egume, Supercream, Tough Crowd, Traumnovelle, Under/Current Magazine, (un)limited store, The Unready, Unrealised Projects, Useless, Utterly Mindless Thrills, X Marks the B–kship

www.publishandbedamned.org

From the Editor's Letter:

Wow, what a year.
A year?
Well, almost.
First, please let us start by saying "We're sorry..."

We're sorry to all of our subscribers–especially our subscribers–and anyone who has been waiting with baited breath for this issue since last December, 2008. Yes, December was when we released our last issue... and it's early September, 2009. Wow. That thing with the economy is, of course, the primary reason for this delay, and while we all know that that thing has not quite passed entirely by any means, it has improved enough and we have done some re-shifting on the internal side and it seems like ANPQ is really not over. Not at all. Fingers crossed we'll even have the next issue out faster than usual and then we'll take it back to our usual quarterly schedule from there... but we're pretty much positive that there is a "there," and a very cool "there" to boot.

Now let us say "Thank you!"

THANK YOU (!!!) to all of our Subscribers! You are an incredibly patient bunch, and it is increasingly for you that we are able to make this thing. Thank you for waiting for this thing! And the wait: just as you waited, as we waited, the articles waited. Our cover story on Will Oldham started out a somewhat of a funny race against the rest of the print media world (see the intro for more on that) and our article about Miranda July was actually timed to come out as a slightly early preview of her contributions to this summer's Venice Biennale. But alas, are either any less worthy now that something so fickle as press cycles (which we really try to ignore anyways for just such reasons!) or exhibition schedules have moved on? We'll leave the judging to you and your co-judge, time. Please be fair.

Conversely, our Black Dice feature was intended for the next issue, but Trinie Dalton delivered it early so we decided to pack it in here as some semblance of a bonus for the delay. But we're of the opinion that every article is a bonus, just as that sentient goes that every day is a bonus. Here's to a hope for more bonuses all around!! Truly, all around!!
Until next time...


FYI: This "Item of the Week" is totally free. We're just so psyched that ANPQ is back in action, so swing by and pick up a copy of this awesome, rad, free, over-sized, full-color, top-notch arts magazine.

Werner Herzog's Rogue Film School

1. The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.


2. The number of participants will be limited.


3. Locations and dates will be announced on this website and Werner Herzog's website: www.wernerherzog.com approximately 12 weeks in advance.


4. The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.


5. The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.


6. The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.


7. Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?


8. Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.


9. Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.


10. Related, but more reflective, will be a reading list: if possible, read Virgil's "Georgics", read "Hemingway's "The short happy life of Francis Macomber", The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo "True History of the Conquest of New Spain".


11. Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.