Golden Age (2007–2011) is CLOSED FOREVER. This site now functions as an archive. Thank you for your patronage.
Elizabeth Jaeger Links Ahead
I don't really actually go to a lot of websites outside of my obsession with checking my email and social networking tools, but regardless, there are things out there, I like these ones: 1. Folk streams, a really amazing documentary site. Check out the lizard swallowing frat house with sexual undertones, the pentecostal church documentary, and the Amish video. Maybe even watch them at the same time in different windows and relish in the fact that all these things are real and probably still happening somewhere in America today. 2. Holy Shit. I think i watched this video a million times in France - it felt, essential. 3. http://www.studioxo.com/sideproject.html I met this guy by walking into his gallery in Nancy, France and making a fool out of myself. We ended up going to Poland together, which was life changing. He is pretty incredible -you should add him on Facebook: Morgan Fortems. 4. I want to be her. I want to be him holding her. I want her amazing underwear. I want to run in the warm sea water and flick my long wet hair back and forth in my fantastic underwear. I want to make out on a beach and be super unhappy about it. I want to sing that close to somebody else's face as they look unhappy about it. I want eyeliner that doesn't run. I want to fall in love, but not exactly with you, Chris Isaac. Pipolotti Rist is totally on the same page as me about these feelings. 5. Gallerie Studio St. St. Berlin. The website is kinda beside the point, but is the only connection i have to the most amazing performance space I've ever been to. Juwelia is one of my all time favorite artists ever. 6. Sam Finn's blog: total bold class. 7. This magazine did a really nice article about a project I was doing a little while ago. 8. Finishing school for boys who want to be girls. Used this video as a reference for a research paper. Weird though, in France this same video was longer, in two parts, and had WAY more juicydetails. 9. Fecal Face: yea yea yea, its sooooo fuckkkkkinnnnng cooooooooool. 10. Mika Rottenberg documentary. /Elizabeth Jaeger (hard J, not like the booze) is a freelance whatchumacallit living halfsies in Portland, Oregon and San Francisco, California. She is the proud founder of the slightly outdated club, Do it Together Projects. She also partakes in Homeschool Art Shop shows, which she is totally excited about. Before returning west, Elizabeth lived in Chicago, one block away from us. She makes beautiful artwork and intricate hand-sewn sweaters that are 50% off this month! {module_product,34233,453878}
Let It Burns
In remembrance of the Great Chicago Fire of 1871, the Harrowing Pepsi Shoot of 1984, the Tragic Heat Wave of 1995, and that August '09 sweat on your Midwest brow; in honor of the public swimming pool around the corner, the names of various Midwestern sports teams, the ice cream truck that is actually probably not a drug front, and the sweet rattle of window-mounted air-conditioning units; in praise of art and summertime and the rapid rise in regional mercury, BEN RUSSELL presents its third show in just as many months - BEN RUSSELL : BURNS Following (hot) on the heels of last month's (smoking) success, an opening that was made complete with the romance of a simulated Mars-Moon eclipse in the cop-infested alleyway (via artists Roxanne Hopper and Julie Rudder), this month's scorcher features two artists and two artist duos of international persuasion. Break your sunglasses, skip the tanning salon, throw that 60SPF sunscreen in the trash and let the BURNS at BEN RUSSELL char to a crisp your inner and outer cultural selves. From the language-branded cowflesh of Chicagoan Diana Guerrero-Macía to the glow-in-the-dark smokebomb abstractions of Matt Hanner, from UK team Semiconductor's sun-flared NASA video grit to the campfire-replacement sculpture and damsel-in-distress performance of CamLab, BEN RUSSELL : BURNS will demonstrate unequivocally that, at least in Pilsen, the heat is on. In keeping with the by-now time-honored BEN RUSSELL custom, opening-night attendees are invited to feel the (afore-mentioned) heat of the barbecue and bask in the chill of mild inebriation, while supplies last. 1716 S Morgan #2F (Pilsen) Chicago, IL 60608 August 2 to August 30, 2009 Opening reception: 6-10 pm, August 2, 2009 Private viewings by appointment* *The performance of "Things That Have Once Been in Contact" by Camlab will be presented at approximately 7:15pm.
Golden Birthday on Chic-a-go-go
Golden Birthday performs on Chicago's favorite local access children's show. Soooo rad!
Down Under
Faraway friends in Australia, Teeluxe & Sea Cell are hosting Zine Age Riot, a zine fair and exhibition, featuring: Joe Allen Shea (AUS), Craig Atkinson (GBR), Kimberly Amos (AUS), Jody Barton (GBR), Gareth Bayliss (UK), Martin Bell (AUS), Amber B (AUS), Pete Brower (US), Shea Caplice (AUS), Jeff Canham (US), Tristan Ceddia (AUS), Tracey Churchward (AUS), Culture Vulture (GBR), Nick Chalmers (AUS), Ryan Heywood (AUS), Cathie Glassby (AUS), Jason Gormley (AUS), Hardland/Heartland (US), Alex Knost (US), Alex Kopps (US), Stephen Marshall (UK), Stefan Marx (DEU), Paul McNeil (AUS), Moustache Collective (AUS), Jim Newitt (UK), Jared O’sullivan/Nick Simpson (AUS), Craig Rochfort (AUS), Jordan Rochfort (AUS), Nathaniel Russell (US), Loren Victory (US), Matt Yeates (AUS) and more… 11am – 4pm Saturday, 8 August 2009 Sea Cell 4/1 Acacia Street Byron Bay Arts & Industry Estate We wish we could be there. We're totally obsessed with Australia right now.
Abe Vigoda is Part of the Golden Age
Photos courtesy Vincent Uribe Abe Vigoda and Talbot Tagora stopped by the store on Saturday before hitting the wide open road... to St. Louis. Their show at the Empty Bottle was epic and the new songs are phenomenal! SERIOUSLY! We'll have a re-stock of PPM titles, including Abe Vigoda's latest Reviver, in the next two weeks. Keep those eyes peeeeled...
Slanted Views
Erik Wenzel reviewed Megan Plunkett's I Don't Care About the Rest of the Year for Art Slant. He liked the art, but disagreed with our interpretation of the work. You be the judge! I Don't Care About the Rest of the Year will be on view until August 15th. -- Beach Culture by Erik Wenzel Golden Age was established in 2007 by Martine Syms and Marco Kane Braunschweiler as a, “statement about an alternative mode of making and selling art; that it can be straightforward, accessible, and moderately priced.” In addition to being a shop where one can find an assortment of goods produced by artists such as publications, music, videos and clothes, Golden Age stages art installations. What I found most interesting about Megan Plunkett’s “I Don’t Care About the Rest of the Year” is that it is the one thing in the space that doesn’t readily announce itself as art. The carefully placed books, magazines and albums are instantly recognizable as artistic commodities. Plunkett’s installation is almost invisible. A sheet of fabric with some enlarged photocopies mounted on chipboard underneath it sits on the ledge in the window. Accompanying this is a third photocopy image hung above. At first it seems like a window display in the process of being changed out. It is interesting how it is just there. Are the elements just sitting around or are they intentionally placed? They seem to be both. Installation view of I Don't Care About the Rest of the Year The available text on the installation is similarly straightforward, terse and uncertain: “Megan Plunkett's new installation that obliquely channels surf culture and analyzes it's proliferation through publications.” This, and the nature of the store (what people might pejoratively term “hipster”) can be off-putting to someone who doesn’t feel like they are part of the milieu. But Syms and Braunschweiler are very approachable and open to talking about the work, or whatever else one might have questions about in the shop. This becomes an interesting interaction: there is this work in the window, sort of doing what it does, and then through talking about it, you learn more about what is going on. The cloth material is the sort used to make swim suits, it’s gotten its tie-dye type patterning through bleaching. The connections to surfing are obvious. Suddenly the obtuse aesthetic doesn’t seem so standoffish. Detail of I Don't Care About the Rest of the Year The sources for the photocopy reproductions in Plunkett’s installation are images from surfer-oriented publications. Surfing is an interest that crosses over into the periodical Plunkett edits and publishes, Kingsboro Press. A magazine that runs artist and curatorial projects in print, reviews and other essays, it circulates in stores across the country such as Golden Age. I have to say I am not much engaged in the idea of art about surf culture, nor do I think the piece “analyzes its proliferation through publications,” unless taken with Kingsboro Press, copies of which are in the store. The installation does however “obliquely channel surf culture.” This piece doesn’t seem to necessarily hinge on that content and it’s more interesting in its operation of “oblique channeling.” My entrance into it is more through the curious combination and arrangement of material and source image, the presentation and how it hangs out in the front window in a really complicated way illuminated by a bank of fluorescent lights the artist chose to set on the floor near the front window niche. It is all in Plunkett’s touch: the icky colors that come from bleaching dark fabric or the contrast between the spongy stretchy clothing material and the rough solid wood plastered with grainy photocopies. It’s also in the way the fabric is disheveled in a mass, but then is carefully laid over two of the panels as though she’s tucked them into bed. And especially in the way you can’t even see the images on those two panels, you just know that they are there.
Every Day's A Blessed Day
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Laurra Hieber Will Link to That
1. Todd Selby cleanly documents artists in their creative environments on The Selby. 2. HAPPY PEOPLE DON'T COMPLAIN, fareals. 3. Erryday is fashion week thanks to JAK & JIL. 4. "A Compendium of Beautiful Libraries" on Curious Expeditions. One day I will have a library with a ladder. 5. Design heaven on Designage. 6. AWWWWWW!!! 7. Some interactive videos for y'all on selfcontrolfreak. 8. Blog de Willa Nasatir. 9. XXX TERRYWORLD. 10. "An Odyssey in Typography" typeneu. [Laurra Hieber is a student at the School of the Art Institute of Chicago and one of the amazing Golden Age summer interns. She is interested in photography, design, and fashion. Laurra is the ultimate collector and she's definitely ahead of the game. Watch out for her! Right now we're on the look out for rad, hard-working, art enthusiasts/bibliophiles/music nerds to intern for us this fall. If you think you have what it takes, visit the INTERNSHIP page for more info. We'd love to have you!]
Be Capricious
Artist Brief - Capricious #10 - The Feminist Issue Capricious is an international fine art photography publication for emerging artists. The presented work is neither commercial, nor fashion photography; it creates visual narrative without intermediary contextualization. Capricious is a potential makeshift, personal gallery of autonomous works, as well as journal. Readers become critics, curators, and artists rather than mere consumers. Looking Forward, Feeling Backwards: The Feminist Issue Guest Editor, Tammy Rae Carland: “As a culture, we have been poised in a national political climate that has hinged itself on hope as the vehicle for change. Hope, one of the most vague of conceptual feelings, has created real, tactile change historically within the leadership of big government. Work and ideas created with senses and sensibility at the core hold potential for transformative ideas and experience. If hope is something that can be politically argued for, then perhaps empathy is something that can change minds, and grief and love are things that can inspire social change. Perhaps anger, bitterness, tears and heartbreak cannot and should not be publicly avoided. The possibilities that exist in a dialogue on feelings inflame the specter of feminism; feminist feelings are the final frontier. If we were to prioritize the world of feelings, what would it look like? Would it be humiliating or empowering, and would we be accused of acting like a girl? Perhaps making visual the world of feelings is the least we could do and the most honest we can be. Empathetic vision, relentless loss, identity melancholia, gender dysphoria, femme euphoria, sissy pride, compulsive hope, political depression, retooling trauma, shameless shame and feelings that have no names how do we photograph that?” We want you to submit 8-12 photographs (more will not be viewed). We accept all formats and all colors. We also want you to tell us your story. Write an informal text about your thoughts, visions, dreams, or about the photographs you submitted, max 400 words; work submitted without text will not be considered. Email us your submission; 8x10 inches at 72 dpi to submit@capriciousmagazine.com Not all submissions will be guaranteed a spot in the coming issue yet capricious will consider your submission for future issues. Please make sure you have model (or any other legally necessary) releases for all submitted work. Capricious has the right to use published material in promotional matters. Deadline: September 20th Capricious mailing: 302 Bedford Ave #114, Brooklyn, NY 11211 Capricious visiting: 103 Broadway 1st Fl, Brooklyn, NY 11211 For further questions, please email submit@capriciousmagazine.com
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