Golden Age (2007–2011) is CLOSED FOREVER. This site now functions as an archive. Thank you for your patronage.
Ride That Wave
Coastal Shelf is a new exhibition space and shop that will be stocking artists books and editions, art/design journals, apparel, and both local and international music labels. Coastal Shelf is run by our friend and penpal Clare Wöhlnick, who we're super proud and psyched for!If you're in that part of the world, go check out their inaugural exhibition, Soft Copy, featuring:Gian Manik, Ferron Dearnley, Ruby Jeppe, Andrew Varano, Crystal Jones, Chonny D'arcy, COD, Amber Fresh, Megan Plunkett, Tom Freeman, Matt Giles, Marcus Canning, Thomas Jeppe, Tim Carter, Simon Cox, Esther Sandler, Lucy Van, Tessa Richardson, Ocea Sellar, Jaqueline Ball, Chris Onton, Katie Lenanton, Patrick O’Brien, Karl Williams, Niel Aldum, Larissa Boyd, Freya Poulson, Gemma Weston, Claudia Cukrov, Andrew Murray, Steph Kretowicz, David Egan, Thomas Rowe, Matthew Aitken, Henry Heartbreak, Amber Gempton and more..
The Next Best
Children of Clay was featured in Color Magazine's NEXT/BEST Issue! It's no longer summer, so pick up Children of Clay and keep those lazy daze going. {module_product,34244,507420}
Sixteen Google Street Views at The NY Art Book Fair
VISIT US ATTHE NY ARTBOOK FAIR---WHERE WE WILLBE LAUNCHINGJON RAFMAN'SSIXTEEN GOOGLESTREET VIEWS *We will be closed September 30 - October 4
Item of the WEEK: ANP Quarterly is BACK!
From the Editor's Letter: Wow, what a year.A year?Well, almost. First, please let us start by saying "We're sorry..."We're sorry to all of our subscribers–especially our subscribers–and anyone who has been waiting with baited breath for this issue since last December, 2008. Yes, December was when we released our last issue... and it's early September, 2009. Wow. That thing with the economy is, of course, the primary reason for this delay, and while we all know that that thing has not quite passed entirely by any means, it has improved enough and we have done some re-shifting on the internal side and it seems like ANPQ is really not over. Not at all. Fingers crossed we'll even have the next issue out faster than usual and then we'll take it back to our usual quarterly schedule from there... but we're pretty much positive that there is a "there," and a very cool "there" to boot. Now let us say "Thank you!"THANK YOU (!!!) to all of our Subscribers! You are an incredibly patient bunch, and it is increasingly for you that we are able to make this thing. Thank you for waiting for this thing! And the wait: just as you waited, as we waited, the articles waited. Our cover story on Will Oldham started out a somewhat of a funny race against the rest of the print media world (see the intro for more on that) and our article about Miranda July was actually timed to come out as a slightly early preview of her contributions to this summer's Venice Biennale. But alas, are either any less worthy now that something so fickle as press cycles (which we really try to ignore anyways for just such reasons!) or exhibition schedules have moved on? We'll leave the judging to you and your co-judge, time. Please be fair. Conversely, our Black Dice feature was intended for the next issue, but Trinie Dalton delivered it early so we decided to pack it in here as some semblance of a bonus for the delay. But we're of the opinion that every article is a bonus, just as that sentient goes that every day is a bonus. Here's to a hope for more bonuses all around!! Truly, all around!!Until next time... FYI: This "Item of the Week" is totally free. We're just so psyched that ANPQ is back in action, so swing by and pick up a copy of this awesome, rad, free, over-sized, full-color, top-notch arts magazine.
Nicholas Gottlund Q&A (Plain + Fancy)
We recently had the opportunity to host an exhibition for Baltimore based artist and publisher Nicholas Gottlund. Titled Plain + Fancy the show's objective was to demonstrate the fluidity that can be found not only between physical aesthetic but also within an unduplicated energy that is subtly manifested in any one object. One could say that this energy is in fact what allows one object seem physically comparative to the next. For Plain + Fancy Nicholas produced both work and a collection of found items that communicated this contention extremely well. Inviting each viewer to feel as if they had been retaining something personal about his life. We got to exchange a short set of questions involving his inspiration for the show and how it played with the theory of Animism. Enjoy. Q. In relationship to your work at large, Plain + Fancy features work that together shares a sincere quality of sentiment. What level of personal relationship do you have with each object or photograph presented in the show? A. I have an intensely personal relationship with each object and photograph. I could tell long involved and elaborate origin stories about all of them. That said, I didn't choose these objects and images solely on the basis of a personal connection, but rather because I felt they shared thematic relevance and could hang out together. The show’s description notes to the exhibition being a visual narrative within the concept of animism. What was it that evoked your interest in exploring this spiritual concept? I'm interested in the natural world obviously, especially the invisible forces which form, manipulate and keep it all cycling on. I was recently back on my parent's land (which is where I shot all the photos for this series) and there are so many things there which have this almost palpable sense of history to them. From walking sticks and braided rugs to stacks of wood and trees which were planted as boundary makers, they all resonate with such energy. If the inanimate did posses a unique pneuma, what sort of affect do you feel a person’s interaction or attachment to a certain object has on the item itself? Well people place a lot of meaning and importance on objects in many ways. Tools often become physically shaped by the hand which work with them. If anything, I think the object performs it's role perfectly in the way it was intended, in accord with and also in spite of its interaction with the person. When the time came to decide how to design the Plain + Fancy book, did you make any considerations in photo arrangement to enhance ones introspection on possible animistic qualities? Not so much, not explicitly. It was just a matter of formal elements and having an edit that flowed well. There were images that I felt should or should not go next to one another, but the reasoning was based on concerns with the book reading well and the linear progression. Adding a small display of items to the exhibition was a nice touch. If the objects in some way could communicate with you, what would be the one “spirit” quality expressed by them? In the end, they're all facets of the same thing. Last words? Thanks. Nicholas Gottlund
Rogue Film School
Werner Herzog's Rogue Film School
- The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.
- The number of participants will be limited.
- Locations and dates will be announced on this website and Werner Herzog's website: www.wernerherzog.com approximately 12 weeks in advance.
- The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.
- The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.
- The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.
- Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?
- Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.
- Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.
- Related, but more reflective, will be a reading list: if possible, read Virgil's "Georgics", read "Hemingway's "The short happy life of Francis Macomber", The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo "True History of the Conquest of New Spain".
- Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.
Let the Right One In
The second recommendation in our three part film series goes to the Swedish hyperrealist horror title Let the Right One In. More than your typical horror film which it indeed holds the elements for; both the application of a serial killer and vampirism are intact. Underneath these facets though lies a well crafted story of love and companionship. One involving a vulnerable yet passively violent 11 year old boy named Oskar and his blood thirsty therefore equally eccentric neighbor Eli. Through initial perception Oskar and Eli's relationship may seem juvenescent in value. Although upon the story's progress its realized that their relationship is really a testament to both trust and the binding force it can create between two people. Straight through the final scene Let the Right One In proves masterful in connecting a series of plight moments to the ever strange connection Oskar and Eli share, simultaneously managing to strengthen it as well. Let The Right One In
A Link In Time with Jenna Emily Thornhill deWitt
1. Marchesa Luisa Casati: The book 'Infinite Variety' by these people, on this person, my aspirations are in many ways found within.2. Summer Camp Nightmare: Just saw this at Cinefamily a few days ago, and I was only a little bit stoned and truly couldn't believe it. I kept asking Cali, "This is really amazing?" And he would agree, he was just as much in shock as I. We had been on our way out after watching the first of a 12 hour screening of summer camp movies, and we stopped to watch a little and ended up taking a seat very rudely I suppose for the lady we crossed in front of....anyway, that's that.3. Permit LA: Through this I have found out that my landlord was cited for having a shanty in our backyard, and what was planned for an abandoned brick building nearby when a chain link fence went up around it. Lofts, of course, but knowing the amount of units and that there'd be parking included was nice, I guess. Tons of uses, LA only.4. Latest Earthquakes: It's nice to confirm immediately. The "Did you feel it?" questionnaire is my favorite kind of survey.5. Mondo Vision: The premiere punk video zine of the bay area. 6. Crispin Porter Bogusky ad agency: They really bug me, but maybe their time has passed now. "Viral" marketing that is patently beside the point. I recall a Sprite "mini site" where you could map your Chill Factor on a globe and it looked like the Matrix. Who do they think they are? What level of irony are they working with, or have they moved beyond that kind of thing? I used to think about these sorts of people a lot and I think it was worthwhile. Recommended reading: Employee Handbook. 7. Gay Purree: The animation of George-Pierre Seurat's painting of Mewsette (Judy Garland's ingenue cat) is one of my favorite things. "Tiny dots of paint"...listen to how he says that. And it looks perfect. The whole movie does and has many fine songs.8. The Robe: 5:00 mark, an interaction I can watch over and over again. These lines can be used in daily conversation if you pay attention. The whole movie is great, an epic about the most epic of subjects with a lot of not entirely inappropriate humorous asides.9. Show Caves: I've never gone caving, but in the future I'd like to plan a cave exploration or two around every trip I take. The river caves are what I'm most interested in, as they're what I see in my dreams.10. Ruby Lane: I've never gotten anything from here and I probably won't, but it serves me well in the way of a "finest of eBay" for ideas. I found it when I was working on Cali's engagement ring design and wanted to look at as many pictures as possible from every angle of bezel set diamond rings to see what appealed to me, what was possible. Jenna Emily Thornhill deWitt is a singer, saxophone player, and cashier in Los Angeles. She has a blog with her husband-to-be here, and also a web presence here, here, here, and eventually here. {module_product,34237,795119}
Item of the WEEK: Motherwell Journal
Motherwell is a journal dedicated to the intimate exchange of ideas and the primacy of the publication as object. In an age when the internet is rapidly becoming the principal site for young writers to present their work, Motherwell provides a tangible home for critical investigations of contemporary culture. Organized around a theme, each issue of Motherwell invites emerging writers from varied disciplines, contexts, and geographies to contribute essays that enliven and complicate our understanding of that theme. Every turn of the page tempts readers to unearth the intricate and unforeseen links that unfold along the riverine networks of cultural production. Edited by Paige K. Johnston, featuring: Louis Abelman, Beth Capper, Kelly Shindler, Bryce Dwyer, Josh Feola, Zachary Johnston, Corinna Kirsch, Karthik Pandian, Sierra Pettengill, Ariel Pittman, Sarah Stephenson, Ania Szremski, and Brendan Threadgill. Each copy of Vol. I is 169 pages, hand-bound in leather and iron-branded. {module_product,34234,906760} DON'T MISS: Motherwell Release Party, Saturday, September 19, 7-11p
Word to Your MOTHERWELL
MOTHERWELL Journal RELEASE PARTY Saturday, September 19, 7-10pm Please join us this Saturday from 7-10pm for the release of MOTHERWELL, a new arts journal dedicated to the intimate exchange of ideas and the primacy of publication as object. Motherwell contributors Zachary James Johnston and Karthik Pandian will be reading at 8pm. Motherwell Vol. 1: Triumphs & Disasters, will be available for purchase at the party and features new work by thirteen young writers, including Chicago-based contributors, Beth Capper, Bryce Dwyer, Zachary James Johnston, Corinna Kirsch, Ariel Pittman, Kelly Shindler, and Ania Szremski.Those who can not attend the release party can pre-order the publication here. For more information: www.motherwelljournal.org
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